1 00:01:21,000 --> 00:01:22,480 Stupendous! 2 00:01:25,520 --> 00:01:28,040 I'll show you something. 3 00:01:28,160 --> 00:01:32,040 This was the art of his great passion, i.e. the drum, the bongo. 4 00:01:32,160 --> 00:01:36,400 - She was a bit taken with that... - From here you can see a beautiful person. 5 00:01:36,520 --> 00:01:38,440 - Yes. - A nice person. 6 00:01:47,520 --> 00:01:50,560 She has always been a sweet soul. 7 00:01:51,160 --> 00:01:52,400 She passed... 8 00:01:52,520 --> 00:01:56,200 An avalanche came upon her, a terrible thing. 9 00:01:57,840 --> 00:01:58,960 Holy shit. 10 00:02:37,120 --> 00:02:39,720 - This beech tree here, eh? - Yes. 11 00:02:39,840 --> 00:02:41,960 - Here we are. - Here it is! 12 00:02:42,080 --> 00:02:44,080 - Give it to me! - No, why? 13 00:02:44,200 --> 00:02:46,880 Let's be informal, though. We're also the same age, I think. 14 00:02:47,000 --> 00:02:49,120 - Are we the same age? - Eh, I think so. 15 00:02:49,240 --> 00:02:52,680 - I'm from '88. - I'm '86, I'm two years older. 16 00:02:52,800 --> 00:02:55,640 - I'm older. - Pleasure. 17 00:02:55,760 --> 00:02:59,160 You've come this far. You're crazy! Up to here. 18 00:02:59,280 --> 00:03:02,160 We came to visit you, to fish. 19 00:03:02,280 --> 00:03:04,480 - Pinch it, come on! - Yes. 20 00:03:05,920 --> 00:03:09,120 - This is Giulio, our operator. - Pleasure. 21 00:03:09,800 --> 00:03:14,120 What a handsome young man! First he spied on me when I made tea too. 22 00:03:14,240 --> 00:03:17,240 It's a professional deformation. This is Monica, our producer. 23 00:03:17,360 --> 00:03:18,160 - Pleasure. - Emanuela. 24 00:03:18,280 --> 00:03:22,760 - The bunny that was on the furniture. - Yes. My mother-in-law collected them. 25 00:03:22,880 --> 00:03:25,400 - So I allowed myself a moment... - But think. 26 00:03:25,520 --> 00:03:28,600 I took this... Is he instead? 27 00:03:28,720 --> 00:03:32,960 - This is Matteo, our sound engineer. - Emanuela. The sound engineer, of course! 28 00:03:34,240 --> 00:03:36,200 I still remember a little. 29 00:03:36,320 --> 00:03:40,160 Look, you were telling me "documentary", right? 30 00:03:40,280 --> 00:03:43,960 The only thing, I would ask you not to talk about that story. 31 00:03:44,080 --> 00:03:47,400 - We were just thinking of a hint. - But let's see... 32 00:03:47,520 --> 00:03:50,680 - Don't worry, we'll delete it. - Maybe... no? 33 00:03:50,800 --> 00:03:52,480 - We forget. - Exactly... 34 00:03:52,600 --> 00:03:55,440 Where does it air? 35 00:03:55,560 --> 00:03:57,160 Look, we don't know yet. 36 00:03:57,280 --> 00:04:00,160 It might be a podcast eventually. 37 00:04:00,280 --> 00:04:04,600 Madonna, why do we have to think immediately to the worst? 38 00:04:04,720 --> 00:04:07,520 - Come on! - We miss you a lot, you know? 39 00:04:07,640 --> 00:04:11,240 - Exactly. - A documentary about me is exaggerated, 40 00:04:11,360 --> 00:04:13,360 - if I may. - Are you kidding? 41 00:04:13,480 --> 00:04:16,280 - Come on! - Today like today? 42 00:04:16,400 --> 00:04:20,400 - If I don't do it on you, sorry. - It's just a bit... 43 00:04:20,520 --> 00:04:23,640 - What should I say? - You're always shrinking. 44 00:04:23,760 --> 00:04:27,440 - Many years have passed. - We can tell each other many things. 45 00:04:27,560 --> 00:04:29,800 Yes, but it's not... Oh, love! 46 00:04:29,920 --> 00:04:31,600 Bye my love. 47 00:04:31,720 --> 00:04:33,600 They are an Italian troupe. 48 00:04:33,720 --> 00:04:37,120 They came to do an interview. They gave me a surprise. 49 00:04:37,240 --> 00:04:39,400 - This is Malcom. - Hello Pagani, Malcom. 50 00:04:39,520 --> 00:04:43,000 Nice to meet you, Theo, like Theo van Gogh! 51 00:04:43,120 --> 00:04:45,400 - Ah, of course! - The painter's brother. 52 00:04:45,520 --> 00:04:48,080 Sure, sure. 53 00:04:56,400 --> 00:05:00,000 - Here we are. - If we can do an audio test. 54 00:05:00,120 --> 00:05:02,360 Yes, Fanelli. 55 00:05:03,600 --> 00:05:05,680 You know, you know. Trial. 56 00:05:07,240 --> 00:05:09,920 Trial. 1, 2, 3, 4... 57 00:05:10,040 --> 00:05:13,440 - Perfect, thanks. - Thank goodness, I didn't know them anymore. 58 00:05:15,680 --> 00:05:17,200 They affect me, huh? 59 00:05:17,320 --> 00:05:19,960 The... cameras. 60 00:05:21,120 --> 00:05:22,880 Don't worry, Emanuela. 61 00:05:23,000 --> 00:05:26,240 It's a peaceful chat, between friends. 62 00:05:26,360 --> 00:05:27,480 All right. 63 00:05:27,600 --> 00:05:30,360 Shall I take these off? For the reflections. 64 00:05:31,240 --> 00:05:35,040 At the assembly they will thank me for this intuition. 65 00:05:40,120 --> 00:05:42,200 How nice to have you here. 66 00:05:54,800 --> 00:05:57,480 Did you notice that it doesn't display the prizes? 67 00:05:57,600 --> 00:05:59,600 - Did you notice? - But who? 68 00:05:59,720 --> 00:06:02,960 Fanelli, who are we talking about? We are talking about Fanelli. 69 00:06:03,120 --> 00:06:04,720 It does not display the prizes. 70 00:06:04,880 --> 00:06:09,640 Your operator has done the rundown on the shelves, things... 71 00:06:09,760 --> 00:06:12,880 - There wasn't a prize. - It's true, I didn't notice. 72 00:06:13,000 --> 00:06:16,920 Of course, because you are a journalist and I'm a director. 73 00:06:17,040 --> 00:06:19,040 Ask her the question. 74 00:06:19,440 --> 00:06:22,440 You ask her: "How come you don't display the prizes?" 75 00:06:22,560 --> 00:06:25,800 The first thing you notice when entering in your home it is the total absence of prizes. 76 00:06:25,920 --> 00:06:29,240 We looked everywhere, we didn't see a single one. 77 00:06:29,360 --> 00:06:32,680 There is a particular meaning for this choice? 78 00:06:34,240 --> 00:06:36,800 Classic Ozpetek question. 79 00:06:36,920 --> 00:06:40,520 They make me a little sad the houses of the actors. 80 00:06:40,640 --> 00:06:43,760 The ones you come in and there are photos, the little objects, 81 00:06:43,880 --> 00:06:45,840 the trinkets, the prizes. 82 00:06:45,960 --> 00:06:46,800 Don't... 83 00:06:46,920 --> 00:06:50,440 I don't know, it affects me Sunset Boulevard, understand? A little bit of... 84 00:06:51,240 --> 00:06:53,480 Decadent nostalgia. 85 00:06:53,600 --> 00:06:57,640 It's a choice that honors you but in 2023 you win the David di Donatello. 86 00:06:57,760 --> 00:07:00,040 It will have been a great satisfaction. 87 00:07:00,160 --> 00:07:04,240 Yes, it was quite a surprise because I didn't expect it, so... 88 00:07:04,440 --> 00:07:07,200 A great emotion and a great satisfaction. 89 00:07:07,480 --> 00:07:10,400 Solenghi Tullio. 90 00:07:10,520 --> 00:07:13,240 - Time of death? - An hour and a half ago? 91 00:07:13,360 --> 00:07:15,520 My prizes even... 92 00:07:15,640 --> 00:07:17,520 I think I left them in Rome. 93 00:07:17,640 --> 00:07:20,760 They are in Rome, yes. To tell you. 94 00:07:20,880 --> 00:07:24,480 2023 was a very important year, very lucky for her. 95 00:07:24,600 --> 00:07:28,200 The proposals poured in and I think he turned down a lot of projects. 96 00:07:28,320 --> 00:07:32,120 Oh well, today I can even say it. So many years have passed. 97 00:07:32,680 --> 00:07:36,440 So, I said no, I still regret it, 98 00:07:36,560 --> 00:07:38,840 to... "Watch out for those four." 99 00:07:43,680 --> 00:07:46,760 Then he rejected one of my TV shows. It was called "What do I do? Do I leave?" 100 00:07:46,880 --> 00:07:50,000 It's time to say... What do I do? 101 00:07:50,120 --> 00:07:52,440 Do I leave? 102 00:07:55,040 --> 00:07:56,760 Then I said no 103 00:07:56,880 --> 00:07:59,480 even to a nice project, 104 00:07:59,600 --> 00:08:03,120 by Elisa Mazzitelli. It was a two-part TV movie. 105 00:08:03,240 --> 00:08:05,240 The true story of the first woman 106 00:08:05,360 --> 00:08:08,440 who refused to iron his trousers to her husband. 107 00:08:14,400 --> 00:08:19,080 If I'm not mistaken, he also rejected a program which was called "Sea perfume of the sea". 108 00:08:19,200 --> 00:08:20,880 "Sea scent of the sea"? 109 00:08:21,000 --> 00:08:23,200 No, "Scent of the Sea" and that's it. 110 00:08:23,320 --> 00:08:26,400 Its shape is more tapered compared to the sea bream, 111 00:08:26,520 --> 00:08:29,520 but less slender than sea bass. Giancarlo! Giancarlo! 112 00:08:29,640 --> 00:08:30,840 Fuck! 113 00:08:32,240 --> 00:08:35,280 Then one day Paola calls me. 114 00:08:35,680 --> 00:08:36,880 Paola? 115 00:08:37,000 --> 00:08:40,920 "There's Still Tomorrow" it was my first film, my debut. 116 00:08:41,240 --> 00:08:44,160 And when you make your first work... 117 00:08:44,280 --> 00:08:47,040 - Ferzan, correct me if I'm wrong. - Tell me. 118 00:08:47,160 --> 00:08:49,560 When you make your first work, demand the best. 119 00:08:49,680 --> 00:08:51,920 - You're not wrong. - Thank you. 120 00:08:52,440 --> 00:08:55,840 So I called Valerio Mastandrea for the role of the husband, 121 00:08:56,320 --> 00:08:58,840 Giorgio Colangeli for that of his father-in-law, 122 00:08:58,960 --> 00:09:01,720 Romana Maggiora Vergano for her daughter, 123 00:09:01,920 --> 00:09:05,280 Vinicio Marchioni for the role of first love 124 00:09:05,400 --> 00:09:07,920 and, of course, for the role of best friend, 125 00:09:08,040 --> 00:09:10,440 I had contacted Geppi Cucciari. 126 00:09:11,320 --> 00:09:14,760 Unfortunately she had an exclusive for a program, 127 00:09:14,880 --> 00:09:16,440 "Winter Sea" and... 128 00:09:16,560 --> 00:09:19,040 - "Scent of the sea". - Please? 129 00:09:19,160 --> 00:09:21,560 "Scent of the sea". She was on the little boat. 130 00:09:21,680 --> 00:09:24,680 - They took the catch of the day. - Yes, "Sea scent of the sea". 131 00:09:24,800 --> 00:09:26,840 - No, "Scent of the Sea" and that's it. - Giulio! 132 00:09:26,960 --> 00:09:32,040 They put the octopus on the scales. You should have called from home. 133 00:09:32,160 --> 00:09:34,440 - Giulio! - You had to guess how much it weighed. 134 00:09:34,560 --> 00:09:36,680 My aunt won two thousand euros from us. 135 00:09:37,440 --> 00:09:41,000 A nice program. I don't know why they closed it. 136 00:09:43,840 --> 00:09:46,920 Geppi wasn't there, so I called Emanuela. 137 00:09:47,280 --> 00:09:49,440 - He looked so good! - No, he wasn't well. 138 00:09:49,560 --> 00:09:51,880 How he wasn't well! He looked so good! 139 00:09:52,000 --> 00:09:54,680 He was fine! He was fine! 140 00:09:54,800 --> 00:09:57,760 Madam, unfortunately your husband has passed away. 141 00:09:57,880 --> 00:09:59,040 No! 142 00:09:59,160 --> 00:10:01,400 No! No! No! 143 00:10:01,520 --> 00:10:03,320 Tullio! Tullio! 144 00:10:03,440 --> 00:10:06,440 Yes, I had known her for a few years. 145 00:10:06,560 --> 00:10:08,080 We were friends. 146 00:10:08,280 --> 00:10:10,120 I open the envelope and say that... 147 00:10:11,160 --> 00:10:13,920 Best Supporting Actress 148 00:10:14,040 --> 00:10:17,160 Emanuela Fanelli for the film "Drought". 149 00:10:21,520 --> 00:10:25,560 How much it changes, a prize like this self-perception. 150 00:10:27,080 --> 00:10:30,320 Well, if you are young and immature, maybe it changes you, 151 00:10:30,440 --> 00:10:32,600 but if you are an adult... 152 00:10:32,720 --> 00:10:34,880 Me anyway in 2023 153 00:10:35,000 --> 00:10:37,280 I was 36 years old. 154 00:10:37,400 --> 00:10:41,000 If you are an adult, if you are structured and especially if you are intelligent, 155 00:10:41,120 --> 00:10:42,200 It's not... 156 00:10:42,600 --> 00:10:45,120 a recognition that changes you. 157 00:10:45,240 --> 00:10:47,440 I have to say though, on set 158 00:10:47,560 --> 00:10:51,600 I found it a little changed. It didn't look like her. 159 00:10:51,720 --> 00:10:54,920 No, it has to be between me, it must be the most beautiful of all. 160 00:10:55,040 --> 00:10:56,960 - And I'll come in. - And give the cigarette. 161 00:10:57,080 --> 00:10:59,600 - I open the envelope and say... - You smoke it. 162 00:10:59,720 --> 00:11:02,760 - Best supporting actress... - Should I cry? 163 00:11:02,880 --> 00:11:05,720 - No, but... - ..Emanuela Fanelli... 164 00:11:06,480 --> 00:11:08,480 - It's more of a tenderness. - I open the envelope... 165 00:11:08,600 --> 00:11:11,520 - Yes, it's a... - Best supporting actress... 166 00:11:11,640 --> 00:11:15,240 - What is this sound? - Emanuela Fanelli for the film "Drought". 167 00:11:15,360 --> 00:11:17,200 Help, sorry. 168 00:11:17,840 --> 00:11:22,080 - I open the envelope... - Mom, I'm shooting. I'll call you later. 169 00:11:22,200 --> 00:11:26,520 Sorry, I'll turn it off. I was convinced I had turned it off. 170 00:11:26,640 --> 00:11:29,920 So, I want to give you an example by colleague Woody Allen. 171 00:11:30,080 --> 00:11:33,760 Mr. Woody Allen he didn't go to collect the Oscar. 172 00:11:34,040 --> 00:11:37,200 The Oscar for "Manhattan" 173 00:11:37,320 --> 00:11:40,280 because he had a concert. He plays the whistle. 174 00:11:40,400 --> 00:11:42,360 What time did we have? 175 00:11:42,480 --> 00:11:45,920 - Paola, it's half past twelve. - Damn, it's late! 176 00:11:46,040 --> 00:11:49,560 Alright, let's do this, then we close and go on break. 177 00:11:49,680 --> 00:11:51,960 - Is that okay, Manu? - May 10th. 178 00:11:52,240 --> 00:11:54,320 - Please? - May 10th. 179 00:11:55,080 --> 00:11:57,840 - May 10th what? - What did you ask me? 180 00:11:58,200 --> 00:12:01,600 I said, “Let's finish the last shot and then we go on break." 181 00:12:01,720 --> 00:12:02,760 I had... 182 00:12:02,880 --> 00:12:07,280 No, I understood "What day did you win Donatello's David." 183 00:12:09,080 --> 00:12:12,120 Sorry, there's a confusion. I can't hear you three centimeters away. 184 00:12:12,240 --> 00:12:15,800 Who screams, who calls me, cell phones ringing, 185 00:12:15,920 --> 00:12:18,600 Guys, a little silence, huh? 186 00:12:18,720 --> 00:12:20,240 Thank you. 187 00:12:21,040 --> 00:12:25,400 But already from the readings, on trial, it had seemed a little strange. 188 00:12:25,560 --> 00:12:27,760 - Let's rehearse. - I have two things to ask you. 189 00:12:27,880 --> 00:12:29,960 If you don't mind, let's go backstage. 190 00:12:30,080 --> 00:12:31,520 - No. - I made them come for... 191 00:12:31,640 --> 00:12:35,520 - Like real movies. HI! - Are you sorry? 192 00:12:35,640 --> 00:12:37,120 Otherwise we don't do it. 193 00:12:37,240 --> 00:12:40,440 He didn't go to the Oscars because he had to play. 194 00:12:40,560 --> 00:12:43,200 This for me is an artist. 195 00:12:43,320 --> 00:12:45,640 - Shall we go to the first one? - Yes, the one from the market. 196 00:12:45,760 --> 00:12:49,560 - It's this one. I read Peppe. - Yes. 197 00:12:49,960 --> 00:12:52,720 The beautiful green beans, the fresh green beans! 198 00:12:52,840 --> 00:12:55,120 These green beans taste like butter, sir! 199 00:12:55,600 --> 00:13:00,280 [Apulian accent] But like green beans? I told you you have to sell the chard! 200 00:13:00,400 --> 00:13:03,760 - Who am I talking to? - Why do you do it like this? 201 00:13:03,880 --> 00:13:06,480 I'm not good at Sardinian, I know. 202 00:13:06,600 --> 00:13:09,120 It seems Apulian, but I already took the dialect... 203 00:13:09,240 --> 00:13:13,240 - I know, I can't hear myself. - No, you don't have to do it in Sardinian. 204 00:13:13,360 --> 00:13:16,760 Why did you become obsessed with Sardinian? Neither Sardinian nor Apulian. 205 00:13:16,880 --> 00:13:19,880 Marisa is Roman, she speaks Roman. 206 00:13:20,000 --> 00:13:21,760 In short, as you speak. 207 00:13:22,560 --> 00:13:25,840 Here's the caption, I'm not crazy. 208 00:13:26,160 --> 00:13:30,160 Marisa, by the way, with a very strong Sardinian accent. 209 00:13:30,880 --> 00:13:35,360 Holy shit! Do you know why this note is written? 210 00:13:35,480 --> 00:13:39,440 Must be the version... But this is one thing... 211 00:13:39,560 --> 00:13:41,080 something prehistoric! 212 00:13:41,200 --> 00:13:43,400 I don't know why it ended on this table. 213 00:13:43,520 --> 00:13:47,160 - Why was Marisa Sardinian before? - So, she was Sardinian... 214 00:13:47,280 --> 00:13:49,880 She wasn't Sardinian, in truth. She was someone who had... 215 00:13:50,000 --> 00:13:52,120 Oh well, for generations he had... 216 00:13:52,240 --> 00:13:56,360 You know, to make you feel the... sea a little. When... 217 00:13:56,480 --> 00:13:59,000 - I'll have it printed for you right away. - Okay, but... 218 00:13:59,120 --> 00:14:01,320 Guys, but what script do we give to Emanuela? 219 00:14:01,440 --> 00:14:05,560 We want to give you the right version, please? 220 00:14:05,680 --> 00:14:07,760 Come on, we're working! 221 00:14:08,800 --> 00:14:10,960 - Excuse me. - No, you're doing me a favor. 222 00:14:11,080 --> 00:14:12,280 - Is she Roman? - Yes! 223 00:14:12,400 --> 00:14:16,000 - You gave me a gift. - Now we'll solve it. 224 00:14:16,120 --> 00:14:19,960 Yes, let's give the new version right away. Now they give you the new one. 225 00:14:20,080 --> 00:14:23,880 But it's not there... It's just... Sorry, so here too, right? 226 00:14:24,000 --> 00:14:26,520 - "Ajò" goes away. - Certain. 227 00:14:26,640 --> 00:14:29,040 - Okay, is it just this? What is Roman? - Yes. 228 00:14:29,160 --> 00:14:31,440 - I cross it out with a pencil. - Do you have a pencil? 229 00:14:31,560 --> 00:14:32,840 - I have it - Sorry.. 230 00:14:32,960 --> 00:14:35,400 - The guys are great, but... - Sorry about what? 231 00:14:35,520 --> 00:14:39,640 Look, sometimes they behave like idiots. 232 00:14:39,760 --> 00:14:42,960 - Assholes. - More than anything, find the pencil! 233 00:14:43,080 --> 00:14:45,960 - I work with idiots. - It's a big mess. 234 00:14:46,080 --> 00:14:48,280 Idiots and dickheads. 235 00:14:51,000 --> 00:14:52,880 Damn me! 236 00:14:55,400 --> 00:14:57,400 When I make up my mind... 237 00:14:59,400 --> 00:15:02,920 When I decide to fix it this bag, really. 238 00:15:04,920 --> 00:15:07,560 Here you go! So, we said... 239 00:15:08,360 --> 00:15:10,680 Via "very strong Sardinian accent". 240 00:15:10,800 --> 00:15:12,600 "Ajò" away. 241 00:15:14,360 --> 00:15:15,640 Everything here... 242 00:15:15,760 --> 00:15:19,640 - "How much I love nuraghi"? Go! - Come on, that too. 243 00:15:19,760 --> 00:15:22,880 - Maybe she likes them. - No, to Marisa who doesn't care about nuraghi. 244 00:15:23,000 --> 00:15:25,080 "How much I love nuraghi", go. 245 00:15:25,200 --> 00:15:27,840 Who lets himself be defined by a prize he's an idiot. 246 00:15:27,960 --> 00:15:30,200 Sorry, I don't know how else to say this. 247 00:15:30,320 --> 00:15:33,880 There are people who drive us crazy, but crazy... 248 00:15:34,400 --> 00:15:36,760 - No! - Has the light gone out? 249 00:15:36,880 --> 00:15:38,680 Here you go. 250 00:15:38,800 --> 00:15:40,240 Here you go. 251 00:15:43,120 --> 00:15:44,640 Theo! 252 00:15:44,760 --> 00:15:46,960 Are you going to check? 253 00:15:50,400 --> 00:15:53,880 - Can we give you a hand? - No, it's always the meter. 254 00:15:54,680 --> 00:15:57,240 Malcom, for a game of perspectives It looks like it has horns. 255 00:15:57,360 --> 00:15:59,880 - Should I change the position of the car? - How many dicks... 256 00:16:00,000 --> 00:16:02,000 You have a straw tail, huh? 257 00:16:02,560 --> 00:16:04,760 Do you have a straw tail? 258 00:16:05,240 --> 00:16:08,400 You have to stop it! I know you can hear me! 259 00:16:08,520 --> 00:16:11,240 You have to stop it! 260 00:16:16,440 --> 00:16:17,880 What a level. 261 00:16:23,120 --> 00:16:26,040 - She's back. - She's back, yes. 262 00:16:26,160 --> 00:16:28,520 - That's better. - Here I am. 263 00:16:28,640 --> 00:16:31,400 Oh, here I am. The meter blew. 264 00:16:31,520 --> 00:16:35,640 The meter blew. Imagine if the meter didn't go off today. 265 00:16:39,920 --> 00:16:43,080 They're there, the cameras. Do you want to stand here? 266 00:16:43,200 --> 00:16:44,760 Sorry, huh? 267 00:16:45,760 --> 00:16:49,440 When he has to come, no. Then oh well. 268 00:16:50,840 --> 00:16:53,600 So, we were saying. 269 00:16:53,720 --> 00:16:57,040 He took initiatives he spoke out on issues 270 00:16:57,160 --> 00:16:59,280 not within his jurisdiction. 271 00:17:00,600 --> 00:17:02,640 It must be the most beautiful of all. 272 00:17:10,800 --> 00:17:12,880 Here, put it away. 273 00:17:15,320 --> 00:17:17,880 You smoke it on Sunday, after your engagement. 274 00:17:26,240 --> 00:17:28,640 I saw her kissing him 275 00:17:28,760 --> 00:17:30,640 Who kisses her who kisses me. 276 00:17:30,760 --> 00:17:32,480 - What are you doing? - Mon amour, amour 277 00:17:32,600 --> 00:17:34,240 - Who do you kiss. - Stop! 278 00:17:34,360 --> 00:17:36,360 - Emanuela, what are you doing? - Why did you stop? 279 00:17:36,480 --> 00:17:40,160 Why did you stop? You didn't even make me get to "Hey, garçon, I have an idea." 280 00:17:40,280 --> 00:17:44,200 - Excuse me! - I don't understand what you're doing. 281 00:17:44,320 --> 00:17:47,440 You told me what you want to do the modern songs, the quick ones. 282 00:17:47,560 --> 00:17:50,240 - This one fit. There was silence! - But what does it have to do with it? 283 00:17:50,360 --> 00:17:55,160 I put them, the ones I decide, after assembly, understand? 284 00:17:55,280 --> 00:17:57,640 You have to stick to the script. 285 00:17:57,760 --> 00:18:01,680 - Stick to your lines. - It was a proposal. 286 00:18:01,800 --> 00:18:05,680 The job is also to propose, put your own spin on the character 287 00:18:05,800 --> 00:18:07,920 - and I put... - The character? 288 00:18:08,040 --> 00:18:11,880 - What character is this? - Marisa for me is a... 289 00:18:12,000 --> 00:18:15,000 Which represents me that you get up "hey, boy"? 290 00:18:15,120 --> 00:18:18,720 What does it mean to me that you do this? It has nothing to do with the character. 291 00:18:18,840 --> 00:18:21,960 - Don't you understand? - You didn't like the proposal. 292 00:18:22,080 --> 00:18:24,800 - I didn't like it. - Then let's not do it, 293 00:18:24,920 --> 00:18:28,600 but then you risk making a complaint. You like whining, go ahead whining. 294 00:18:28,720 --> 00:18:31,840 - I like whining, okay? - Then let's complain. 295 00:18:31,960 --> 00:18:34,120 - The film is mine and I decide! - All right. 296 00:18:34,240 --> 00:18:36,640 But look at this! I don't know. 297 00:18:39,000 --> 00:18:41,400 Now pause and scene closed. 298 00:18:41,520 --> 00:18:45,920 Let's get on with the yard and the quarrel with the wives, come on. 299 00:18:48,000 --> 00:18:49,160 Nico'? 300 00:18:51,200 --> 00:18:53,080 Look at the bang this one makes, huh? 301 00:18:53,200 --> 00:18:55,400 Look how we crash. 302 00:18:55,640 --> 00:18:57,200 Waterworld. 303 00:18:57,520 --> 00:19:01,480 "There's Still Tomorrow" is a film to whom I am very attached. It's the first. 304 00:19:02,600 --> 00:19:06,120 Even though it is that which grossed the least of my films, 305 00:19:06,240 --> 00:19:10,880 but for me it has an emotional value truly priceless. 306 00:19:11,000 --> 00:19:14,440 We were strong together. There was just a chemistry, 307 00:19:14,560 --> 00:19:16,840 a harmony that was visible. 308 00:19:16,960 --> 00:19:21,440 In that period several arrived proposals to return to working together. 309 00:19:21,560 --> 00:19:24,360 Yes, but none of them convinced us. 310 00:19:24,880 --> 00:19:28,440 We didn't feel like selling ourselves short, to trivialize. 311 00:19:28,560 --> 00:19:32,240 Here, to trivialize what we had done. 312 00:19:32,360 --> 00:19:34,680 Then, at a certain point, 313 00:19:34,800 --> 00:19:37,200 the right proposal has arrived. 314 00:19:37,520 --> 00:19:39,520 We couldn't say no. 315 00:19:41,960 --> 00:19:43,240 Sincerely 316 00:19:43,360 --> 00:19:45,200 When, when, when, when I cry 317 00:19:45,320 --> 00:19:47,360 Even if the world were to fall 318 00:19:47,480 --> 00:19:50,080 I don't dream of dying of thirst 319 00:19:50,200 --> 00:19:51,920 I'm shaking, I'm shaking 320 00:19:52,040 --> 00:19:54,960 I'm leaving some moonshine behind 321 00:19:55,080 --> 00:19:58,120 And you're not light, honestly 322 00:20:00,560 --> 00:20:02,240 Sincerely 323 00:20:04,240 --> 00:20:06,120 Sincerely 324 00:20:08,160 --> 00:20:09,960 Sincerely 325 00:20:12,400 --> 00:20:14,960 Sincerely yours. 326 00:20:16,320 --> 00:20:18,320 - Thank you! - Thank you! 327 00:20:18,440 --> 00:20:22,400 We thank our velini Michael and Niccolo, 328 00:20:22,520 --> 00:20:26,480 both graduated from ISEF. I'll see you later. 329 00:20:26,880 --> 00:20:29,800 They envy us on all the shows. 330 00:20:29,920 --> 00:20:32,680 Well done! Well done! 331 00:20:33,040 --> 00:20:37,000 Now, friends, let's connect with Ariano Irpino, 332 00:20:37,120 --> 00:20:40,760 in the province of Avellino, where our Luca Abete 333 00:20:40,880 --> 00:20:43,160 has a story to tell us... 334 00:20:44,640 --> 00:20:46,960 Chilling! 335 00:20:47,720 --> 00:20:51,880 Not just saying, but I had to do it "The news spreads". 336 00:20:52,000 --> 00:20:54,240 Antonio called me and I said: 337 00:20:54,360 --> 00:20:56,480 "Antonio, but I have the stadiums 338 00:20:56,600 --> 00:20:59,560 and all the dates, It rains carrots on you on tour." 339 00:20:59,680 --> 00:21:01,560 He said, "Wait, let's understand." 340 00:21:01,680 --> 00:21:04,440 A few weeks passed and... 341 00:21:04,560 --> 00:21:06,560 Beautiful and good, I saw... 342 00:21:07,320 --> 00:21:08,680 Emanuela. 343 00:21:08,800 --> 00:21:13,120 - Come on, come on, it will be resolved soon. - Yes, it's resolved, it's resolved. 344 00:21:13,240 --> 00:21:16,240 It's controversy for Giovanni Floris. 345 00:21:16,360 --> 00:21:18,880 It's been bouncing around on social media for days, 346 00:21:19,000 --> 00:21:21,560 the blasphemy video that got away from him. 347 00:21:21,680 --> 00:21:23,120 It got away from him. 348 00:21:23,240 --> 00:21:26,720 During the last episode of "Di tuesday". 349 00:21:26,840 --> 00:21:29,680 Giovannino, Giovannino. 350 00:21:31,080 --> 00:21:33,600 Our Velerione Staffelli he reached it 351 00:21:33,720 --> 00:21:36,800 to give him the golden tapir. 352 00:21:36,920 --> 00:21:37,960 Go, Valerione! 353 00:21:38,080 --> 00:21:42,440 Until she stared with that catchphrase. 354 00:21:42,840 --> 00:21:45,640 She was obsessed with that catchphrase. 355 00:21:45,760 --> 00:21:50,200 He stuck it everywhere, senselessly, also breaking the rhythm of the program. 356 00:21:50,320 --> 00:21:53,200 Dear friends, now let's touch on the painful notes 357 00:21:53,320 --> 00:21:55,200 of contraventions. 358 00:21:55,760 --> 00:22:00,040 We are sure we are wrong every time we get one? 359 00:22:00,160 --> 00:22:03,040 - Let's hear... - Did you think you had seen everything? 360 00:22:03,160 --> 00:22:05,240 Did you think you heard it all? 361 00:22:05,360 --> 00:22:07,520 Ninth! Ninth. 362 00:22:13,160 --> 00:22:14,160 Go, Jimmy! 363 00:22:17,560 --> 00:22:20,200 Of course we are here for any replies. 364 00:22:20,320 --> 00:22:24,720 - Whenever you want! - But let's talk about pensions and scams 365 00:22:24,840 --> 00:22:28,400 to the detriment of our dear grandparents. 366 00:22:28,560 --> 00:22:30,600 Ours tells us about it... 367 00:22:30,720 --> 00:22:32,680 Did you think you had seen it all? 368 00:22:32,800 --> 00:22:34,560 Did you think you heard it all? 369 00:22:34,680 --> 00:22:36,760 Ninth. Ninth. 370 00:22:44,720 --> 00:22:46,400 Go, Rajae! 371 00:22:47,960 --> 00:22:52,200 Something that makes no sense, he didn't make anyone laugh. 372 00:22:52,760 --> 00:22:54,040 Nobody. 373 00:22:56,160 --> 00:22:58,840 Dear friends, it's Christmas soon. 374 00:22:58,960 --> 00:23:01,840 Families reunite to be together, to celebrate, 375 00:23:01,960 --> 00:23:05,320 but we know which unfortunately is not the case for everyone. 376 00:23:05,440 --> 00:23:08,600 The "Heart Crumbs" association raises funds 377 00:23:08,720 --> 00:23:13,240 to donate hot meals to people intolerant to nickel, 378 00:23:13,360 --> 00:23:16,400 laid off and homeless. 379 00:23:16,520 --> 00:23:19,560 Donate to number 880... 380 00:23:19,680 --> 00:23:23,480 Did you think you had seen it all? Did you think you heard it all? 381 00:23:23,600 --> 00:23:25,920 Ninth! Ninth! 382 00:23:47,920 --> 00:23:51,640 Did you think you had thought of everything? Do you think you've seen it all? 383 00:23:54,760 --> 00:23:57,920 No, maybe it was me who didn't understand that kind of humor, huh? 384 00:23:58,040 --> 00:24:00,920 I also question myself, for goodness sake. 385 00:24:01,040 --> 00:24:03,680 I, Antonio, can do it anymore. I tell you sincerely. 386 00:24:03,800 --> 00:24:07,800 He started this catchphrase thing and I won't stop her anymore, 387 00:24:07,920 --> 00:24:10,960 but it's not funny, nobody likes it, don't... 388 00:24:12,000 --> 00:24:13,520 I can't tell him... 389 00:24:13,640 --> 00:24:15,240 Visionary. 390 00:24:15,360 --> 00:24:17,280 That thing was visionary. 391 00:24:17,400 --> 00:24:20,960 Maybe too much? For that environment there, for those years there? 392 00:24:21,080 --> 00:24:23,640 A little thing, sorry if I interrupted you. 393 00:24:23,760 --> 00:24:26,880 When I play catchphrase on you, do you know? 394 00:24:27,000 --> 00:24:29,200 - The beautiful one. - Ah, yes, yes, yes! 395 00:24:29,320 --> 00:24:31,400 Stay a while... I don't know if it's my impression. 396 00:24:31,520 --> 00:24:35,800 Stay a little too stiff. It almost seems like it doesn't make you laugh. 397 00:24:35,920 --> 00:24:38,440 But no, imagine! 398 00:24:38,560 --> 00:24:41,400 If instead you participate a little more... 399 00:24:41,920 --> 00:24:43,720 Paola was also enthusiastic. 400 00:24:43,840 --> 00:24:46,920 He was enthusiastic, but Paola is an intelligent woman. 401 00:24:47,040 --> 00:24:49,960 He knows humor, Chew the humor. It was... 402 00:24:50,080 --> 00:24:52,040 - That thing is too strong. - Please. 403 00:24:53,160 --> 00:24:55,560 I'm in trouble, help me! 404 00:24:55,880 --> 00:24:56,920 Help me. 405 00:24:57,040 --> 00:25:01,280 Except that she too, in my opinion, he was a little afraid of being... 406 00:25:03,720 --> 00:25:06,480 - No? - You find me a person, 407 00:25:06,600 --> 00:25:10,520 I'm not saying ten, one person that he laughed at that catchphrase and I... 408 00:25:12,560 --> 00:25:16,640 There was also a bit of human envy. Human, I repeat, 409 00:25:16,760 --> 00:25:21,000 because in the end the catchphrase I had it, not her. 410 00:25:21,120 --> 00:25:23,920 I don't mean rice! A person who has done... 411 00:25:24,040 --> 00:25:25,400 It's also good... 412 00:25:25,520 --> 00:25:27,520 A little thing like that. 413 00:25:28,440 --> 00:25:29,920 Find me one. 414 00:25:30,040 --> 00:25:31,760 That's all it takes and I... 415 00:25:35,920 --> 00:25:38,360 Have you ever laughed at the catchphrase? 416 00:25:39,600 --> 00:25:41,520 - No. - Did he say that? 417 00:25:42,480 --> 00:25:45,520 Okay. Imagine if I contradict her. 418 00:25:45,640 --> 00:25:46,960 Today, then. 419 00:25:47,640 --> 00:25:48,640 For goodness sake. 420 00:25:48,760 --> 00:25:53,400 I remember that edition of Striscia as one of the most tiring 421 00:25:53,600 --> 00:25:55,760 that there ever were. 422 00:25:55,880 --> 00:25:57,160 It's definitely my fault 423 00:25:57,280 --> 00:26:01,480 that I couldn't control Fanelli. 424 00:26:01,600 --> 00:26:05,640 The Fanelli overflowed from all sides with this catchphrase. 425 00:26:05,760 --> 00:26:07,800 She was overwhelmed, possessed. 426 00:26:07,920 --> 00:26:12,320 Unfortunately it was one of the years ugliest in Striscia. 427 00:26:15,480 --> 00:26:17,280 Well, the reasons 428 00:26:17,400 --> 00:26:21,440 they are always, always the same for comedy couples. 429 00:26:21,560 --> 00:26:24,560 Often everything ends when one of the two wants to provoke 430 00:26:24,680 --> 00:26:26,600 more than the other. 431 00:26:27,720 --> 00:26:29,000 And then... 432 00:26:30,160 --> 00:26:32,000 Then that's it. I don't know... 433 00:26:32,720 --> 00:26:37,400 Probably all the hype around it to the partner, to the story of the trial... 434 00:26:37,520 --> 00:26:41,600 I think, but it wasn't either the question of the trial. 435 00:26:42,000 --> 00:26:44,440 I simply believe that... 436 00:26:44,800 --> 00:26:46,320 So, some... 437 00:26:47,160 --> 00:26:51,840 Some reports are intended to… to crumble. 438 00:26:53,720 --> 00:26:55,280 That's how it went. 439 00:27:07,040 --> 00:27:08,640 - Tullio, no! - Mom... 440 00:27:08,760 --> 00:27:10,360 - No! Why? - I beg you. 441 00:27:10,480 --> 00:27:12,160 - Why? - Mom... 442 00:27:12,280 --> 00:27:14,840 - No, I can't live! - Mom, mom... 443 00:27:14,960 --> 00:27:19,880 - No! Where are you? Tullio! - But why? 444 00:27:20,000 --> 00:27:21,640 But why! 445 00:27:24,920 --> 00:27:27,800 Mom, please don't do this. 446 00:27:27,920 --> 00:27:30,280 Cortellesi is good, nice. 447 00:27:30,400 --> 00:27:32,920 Do you know how I see it? 448 00:27:33,040 --> 00:27:36,520 Like a renewable energy, Cortellesi. 449 00:27:36,640 --> 00:27:40,480 Instead that other one is methane. 450 00:27:40,600 --> 00:27:43,960 Between methane and renewable energy 451 00:27:44,080 --> 00:27:45,600 which is Cortellesi. 452 00:27:45,720 --> 00:27:47,400 But what happened. 453 00:27:47,520 --> 00:27:52,600 Cortellesi remained, but how did Cortellesi remain? 454 00:27:52,720 --> 00:27:55,200 What has Cortellesi become? 455 00:27:55,320 --> 00:27:57,920 Where is Fanelli? 456 00:27:58,040 --> 00:28:00,520 Where is Fanelli? Gone! 457 00:28:05,760 --> 00:28:09,320 - Do you mind if we stop? - God forbid, we are here for you. 458 00:28:09,440 --> 00:28:12,760 - This last thing bothers me a little... - Guys, we're stopping. 459 00:28:12,880 --> 00:28:14,880 Thanks, sorry. 460 00:28:15,000 --> 00:28:17,320 For today, please, that's enough. 461 00:28:17,440 --> 00:28:19,080 Sorry, Malcom. 462 00:28:30,600 --> 00:28:33,320 In conclusion of this first day of work 463 00:28:33,440 --> 00:28:35,880 only one question resonates in my mind. 464 00:28:36,000 --> 00:28:38,480 What do people care about this life? 465 00:28:38,600 --> 00:28:42,520 No, I say, oh... We spent twenty minutes listening to what? 466 00:28:42,640 --> 00:28:47,640 The little argument between you and Cortellesi? But who cares? 467 00:28:47,760 --> 00:28:50,920 I have never spoken about this episode. 468 00:28:51,040 --> 00:28:53,840 - Does this seem normal to you? - I know, Sabrina, it's a shame. 469 00:28:53,960 --> 00:28:56,600 You're absolutely right. 470 00:28:58,640 --> 00:29:00,320 But that other one too! 471 00:29:01,080 --> 00:29:05,120 But I say, you are the President of the Republic, aren't you busy? 472 00:29:05,240 --> 00:29:08,560 Refuse the interview, right? Make up an excuse. 473 00:29:09,520 --> 00:29:12,440 You say that not even Morante and Moravia you don't give a damn. 474 00:29:12,560 --> 00:29:15,040 You let me do it and then we'll see. 475 00:29:21,360 --> 00:29:25,720 Frankly I could continue living without the cold of the Canton of Valais. 476 00:29:25,840 --> 00:29:29,160 This cheap food which I'm entitled to with my ridiculous per diem 477 00:29:29,280 --> 00:29:32,680 And yet another, exhausting narrative about the world of entertainment 478 00:29:32,800 --> 00:29:35,200 that mythologizes and destroys itself. 479 00:29:35,320 --> 00:29:37,120 Fuck you. 480 00:29:50,040 --> 00:29:52,440 In civilized countries, I don't know, in Spain 481 00:29:52,560 --> 00:29:56,400 they would never put together a documentary about such a useless story. 482 00:30:07,240 --> 00:30:08,920 Orestes! 483 00:30:09,120 --> 00:30:10,800 Ready? 484 00:30:11,680 --> 00:30:12,800 Go! 485 00:30:21,440 --> 00:30:22,520 Yep... 486 00:30:23,800 --> 00:30:25,960 We are no longer kids. 487 00:30:26,080 --> 00:30:28,680 What is the body part of us boys 488 00:30:28,800 --> 00:30:31,840 who first of all starts throwing tantrums? 489 00:30:32,960 --> 00:30:34,480 The heart. 490 00:30:35,000 --> 00:30:38,440 With Salva la Vita Beghelli just touch the palm of your hand 491 00:30:38,560 --> 00:30:41,720 and all your family members will be contacted. 492 00:30:42,760 --> 00:30:45,440 Plus a speaker latest generation 493 00:30:45,560 --> 00:30:49,640 will spread your request for help up to ten meters away from you. 494 00:30:50,320 --> 00:30:52,560 Save Beghelli's Life! 495 00:30:52,680 --> 00:30:55,760 Your help always at hand. 496 00:31:01,560 --> 00:31:03,240 I feel bad. 497 00:31:03,360 --> 00:31:04,760 I feel bad. 498 00:31:05,120 --> 00:31:06,720 I feel bad. 499 00:31:07,320 --> 00:31:08,920 I feel bad. 500 00:31:09,120 --> 00:31:10,880 I feel bad. 501 00:31:11,120 --> 00:31:12,680 I feel bad. 502 00:31:12,800 --> 00:31:13,960 I feel bad. 503 00:31:27,000 --> 00:31:29,480 In this new episode of "Where is Emanuela" 504 00:31:29,600 --> 00:31:32,880 the President Paola Cortellesi he tells us about his friendship 505 00:31:33,000 --> 00:31:37,040 with the Italian actress disappeared from the scene more than ten years ago. 506 00:31:38,280 --> 00:31:41,280 She was obsessed from this catchphrase. 507 00:31:41,440 --> 00:31:44,680 He stuck it everywhere without meaning 508 00:31:44,920 --> 00:31:47,880 also breaking the rhythm of the program. 509 00:31:48,280 --> 00:31:50,840 The reasons are always, 510 00:31:50,960 --> 00:31:54,400 always the same for comedy couples. 511 00:31:54,960 --> 00:31:56,960 Often everything ends when one of the two 512 00:31:57,080 --> 00:31:59,320 aspires to provoke more than the other. 513 00:33:21,440 --> 00:33:23,360 Subtitles: Audio Laser Service s.r.l.